
plate no. 6143
Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones. It will also provide practice in creating depth and shadow using a limited color palette.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, chair, and letter.
Establish the overall value structure with a thin wash of burnt umber.
Block in the main areas of color: skin tones, clothing, chair, and background.
Begin layering and blending colors to refine the skin tones, paying attention to highlights and shadows.
Add details to the clothing, chair, and letter, such as folds, textures, and edges.
Refine the background, ensuring it recedes and doesn't compete with the figure.
Add final highlights and details to the face and hands to create a focal point.
Glaze with thin layers to unify the colors and add depth.
color palette
primary · ivory black · burnt umber · titanium white · cadmium red
secondary · yellow ochre · raw sienna
Mix skin tones using white, red, yellow ochre, and a touch of burnt umber. Achieve darker values by adding black or burnt umber to the primary colors. Use thin glazes of red and umber to create depth in the shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Allow each layer to dry before applying the next.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke