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home·artworks·Noah Webster
Noah Webster by Samuel Morse

plate no. 6143

Noah Webster

Samuel Morse

oil, canvasRomanticismportraitportraitfiguremanchairclothingletter
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones. It will also provide practice in creating depth and shadow using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, chair, and letter.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main areas of color: skin tones, clothing, chair, and background.

  4. step 04

    Begin layering and blending colors to refine the skin tones, paying attention to highlights and shadows.

  5. step 05

    Add details to the clothing, chair, and letter, such as folds, textures, and edges.

  6. step 06

    Refine the background, ensuring it recedes and doesn't compete with the figure.

  7. step 07

    Add final highlights and details to the face and hands to create a focal point.

  8. step 08

    Glaze with thin layers to unify the colors and add depth.

color palette

primary · ivory black · burnt umber · titanium white · cadmium red

secondary · yellow ochre · raw sienna

Mix skin tones using white, red, yellow ochre, and a touch of burnt umber. Achieve darker values by adding black or burnt umber to the primary colors. Use thin glazes of red and umber to create depth in the shadows.

techniques

  • ·underpainting
  • ·layering
  • ·blending
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the underlying value structure.
  • →Getting the proportions of the face wrong.
  • →Making the background too bright or detailed.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints: ivory black, burnt umber, titanium white, cadmium red, yellow ochre, raw sienna
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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