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home·artworks·No Where to Go
No Where to Go by William Balthazar Rose

plate no. 0283

No Where to Go

William Balthazar Rose, 2011

oilMagic Realismsymbolic paintingfigureschefsdark backgroundsymbolicseated figure
some experience helpful

This painting helps develop skills in simplified figure painting and creating a moody atmosphere with a limited color palette. Students can learn to suggest form with visible brushstrokes and subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and placement of the figures, focusing on proportions.

  2. step 02

    Block in the background with a dark, neutral color, leaving space for the figures.

  3. step 03

    Apply the base color for the seated figure, focusing on the overall form.

  4. step 04

    Add the base colors for the other figures, differentiating between the chefs' whites and the blue of the figure carrying the other.

  5. step 05

    Begin adding shadows and highlights to define the forms, using visible brushstrokes.

  6. step 06

    Refine the details of the faces and clothing, keeping the style simple and expressive.

  7. step 07

    Add the subtle details to the background and foreground to create depth.

  8. step 08

    Make final adjustments to the values and colors to achieve the desired mood.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna

Mix raw umber and white for the background. Use yellow ochre with a touch of umber for the seated figure. Mix ultramarine blue and umber for the blue figure. Use white with small amounts of umber and sienna for the chef's whites.

techniques

  • ·blocking in
  • ·dry brushing
  • ·scumbling
  • ·limited palette
  • ·simplified forms

common pitfalls

  • →Overworking the details, losing the expressive brushstrokes.
  • →Using too many colors, creating a less cohesive palette.
  • →Not paying attention to the proportions of the figures.
  • →Ignoring the subtle value changes that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a medium texture to enhance the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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