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home·artworks·No Areinho, Douro
No Areinho, Douro by António de Carvalho da Silva Porto

plate no. 1389

No Areinho, Douro

António de Carvalho da Silva Porto, 1880

oilImpressionismgenre paintingboatfigureswaterskylandscaperiver
some experience helpful

Recreating this painting will help students practice blending techniques to achieve soft transitions and learn to depict reflections in water. It also provides an opportunity to study atmospheric perspective and create a sense of depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the boat and figures.

  2. step 02

    Block in the large areas of color, starting with the sky and water.

  3. step 03

    Add the darker values for the boat and figures, paying attention to the shapes and proportions.

  4. step 04

    Begin to refine the details of the boat, including the structure and reflections.

  5. step 05

    Add details to the figures, focusing on the faces and clothing.

  6. step 06

    Create the background landscape, using lighter values to suggest distance.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Refine the overall composition and make any necessary adjustments.

color palette

primary · titanium white · burnt umber · raw sienna

secondary · ultramarine blue · cadmium red light · yellow ochre

Mix white with small amounts of burnt umber and raw sienna to achieve the muted tones of the sky and water. Use ultramarine blue and burnt umber to create the darker tones of the boat.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details too early.
  • →Using colors that are too saturated.
  • →Ignoring the importance of value contrast.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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