apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Nile Landscape
Nile Landscape by Konstantinos Maleas

plate no. 4379

Nile Landscape

Konstantinos Maleas, 1911

oilImpressionismlandscapetreesriverfigureslandscapemountainsboats
some experience helpful

Recreating this painting will help students develop skills in layering paint with visible brushstrokes and capturing the effects of light and shadow on a landscape. Students will also learn to simplify complex scenes into basic shapes and colors.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, river, figures, and mountains.

  2. step 02

    Block in the large areas of color, starting with the sky and river, then the ground and trees.

  3. step 03

    Add the darker values to define the shadows under the trees and on the figures.

  4. step 04

    Begin layering colors to create texture and depth, using short, visible brushstrokes.

  5. step 05

    Mix lighter tones to highlight areas where the sun hits the ground, trees, and figures.

  6. step 06

    Add details to the trees, such as leaves and branches, using a smaller brush.

  7. step 07

    Refine the shapes and colors of the figures, paying attention to the folds in their clothing.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · sap green · raw sienna · cadmium yellow

Mix greens by combining blue and yellow. Create earth tones by mixing umber with yellow and white. Use white to lighten colors and create highlights.

techniques

  • ·impasto
  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overblending the colors, which can result in a muddy appearance.
  • →Making the brushstrokes too uniform, which can flatten the image.
  • →Ignoring the effects of light and shadow, which can make the painting look unrealistic.
  • →Getting lost in details too early, before establishing the overall composition and color scheme.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grit canvas to enhance the texture of the brushstrokes. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann