apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Nikolaus Lenau, Austrian poet
Nikolaus Lenau, Austrian poet by Friedrich von Amerling

plate no. 3400

Nikolaus Lenau, Austrian poet

Friedrich von Amerling

oilRomanticismportraitportraitfiguremanclothinghairface
some experience helpful

Recreating this painting will allow students to practice portrait techniques, including accurate proportions and subtle color variations for skin tones. It also provides an opportunity to study the use of light and shadow to create form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Block in the main areas of color: skin, hair, background, clothing.

  3. step 03

    Begin refining the skin tones, paying close attention to the subtle variations in color and value.

  4. step 04

    Develop the details of the hair, using short, directional brushstrokes.

  5. step 05

    Work on the clothing, focusing on the folds and shadows.

  6. step 06

    Refine the facial features, paying attention to the eyes, nose, and mouth.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · ivory black · cadmium red light · ultramarine blue

Mix skin tones by blending white, yellow ochre, and a touch of red. Use raw umber and black for dark areas, and add blue to darken shadows. The background is a mix of raw umber and white, with slight variations.

techniques

  • ·portrait painting
  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints (raw umber, titanium white, yellow ochre, ivory black, cadmium red light, ultramarine blue)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use a medium-grain canvas for best results. Be sure to properly prime the canvas before beginning to paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke