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home·artworks·Night Pine Island
Night Pine Island by A.Y. Jackson

plate no. 2580

Night Pine Island

A.Y. Jackson, 1921

oilArt Nouveau (Modern)landscapeislandrockstreeswaterskynight
some experience helpful

This painting provides practice in layering colors to create depth and texture, as well as simplifying complex shapes into manageable forms. Students will also learn to capture the mood of a nighttime scene using a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the island, rocks, and trees using light pencil lines.

  2. step 02

    Block in the sky with a base layer of dark blue, adding lighter blues and white for stars.

  3. step 03

    Apply a base coat of browns and grays to the rocks, varying the tones to suggest form.

  4. step 04

    Add highlights to the rocks using lighter shades of beige and yellow, following the direction of the implied light source.

  5. step 05

    Paint the water with dark blues and greens, adding subtle reflections of the rocks and sky.

  6. step 06

    Define the trees with dark brown or black, simplifying their shapes and suggesting windblown forms.

  7. step 07

    Refine the details of the rocks and water, adding texture and highlights with dry brush techniques.

  8. step 08

    Add final touches, such as small details in the sky and subtle variations in the rock colors.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna

Mix ultramarine blue and burnt umber for the dark blues of the sky and water. Use white to lighten the blues and create highlights. Mix yellow ochre and raw sienna with burnt umber and white to create the various tones of the rocks.

techniques

  • ·dry brushing
  • ·layering
  • ·color mixing
  • ·scumbling
  • ·simplification

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using too much detail in the rocks, making them appear flat.
  • →Not varying the colors enough, resulting in a monotonous landscape.
  • →Making the tree silhouettes too uniform.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw sienna oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to enhance the dry brush effect. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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