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home·artworks·Night market
Night market by Petrus van Schendel

plate no. 5165

Night market

Petrus van Schendel

oil, panelRomanticismgenre paintingfiguresmarketnightbuildingsproducecandlelight
experienced study

Recreating this painting will help students develop skills in rendering light and shadow, especially the effects of candlelight, and in creating atmospheric perspective to suggest depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and buildings.

  2. step 02

    Establish the dark background tones using a mix of browns and blacks.

  3. step 03

    Block in the main shapes of the figures and the market stall with mid-tones.

  4. step 04

    Begin layering in the highlights, paying close attention to the light source (the candle).

  5. step 05

    Refine the details of the faces and clothing, adding subtle variations in color and value.

  6. step 06

    Paint the produce on the market stall, focusing on the way the candlelight illuminates each item.

  7. step 07

    Add the background figures and buildings, using a lighter touch to create a sense of distance.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and atmospheric painting.

color palette

primary · burnt umber · ivory black · yellow ochre · titanium white

secondary · cadmium red · ultramarine blue

Achieve the warm glow of candlelight by mixing yellow ochre with small amounts of cadmium red and titanium white. Create shadows by mixing burnt umber and ivory black, adjusting the ratio to control the darkness.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering textures

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall light and shadow.
  • →Making the highlights too bright, which can flatten the painting.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·varnish

Use a canvas with a smooth surface for easier blending. Consider using a toned canvas to help establish the dark background tones.

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