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home·artworks·Night
Night by Simeon Solomon

plate no. 2363

Night

Simeon Solomon, 1890

oilRomanticismallegorical paintingfigureportraitnightflowersskyallegory
some experience helpful

Recreating this painting will help students practice subtle blending techniques for skin tones and develop an understanding of atmospheric perspective. It also provides an opportunity to study the use of limited color palettes to create mood.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic outline of the figure, paying attention to proportions and the angle of the head.

  2. step 02

    Establish the background with a dark, muted tone, blending it smoothly.

  3. step 03

    Block in the main areas of the face, neck, and drapery with light and dark values.

  4. step 04

    Begin layering and blending the skin tones, focusing on subtle shifts in color and value.

  5. step 05

    Add details to the hair and flowers, using small brushstrokes to create texture.

  6. step 06

    Refine the background, adding subtle variations in color and value to suggest depth.

  7. step 07

    Add the small stars in the background.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of realism.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · alizarin crimson

Mix ivory black and raw umber for the dark background and drapery. Use yellow ochre, titanium white, and a touch of burnt sienna for the skin tones. Add alizarin crimson to the burnt sienna for the flowers.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overblending, resulting in a flat, lifeless appearance.
  • →Using too much white, making the skin tones appear chalky.
  • →Ignoring the subtle shifts in color and value, leading to a lack of depth.
  • →Getting the proportions of the face wrong.
  • →Not creating enough contrast between the figure and the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·#2 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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oil painting for beginners →how to learn by studying the masters →
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