apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Night at the Cervantes Theater in Tangier
Night at the Cervantes Theater in Tangier by Consuelo Hernández

plate no. 6478

Night at the Cervantes Theater in Tangier

Consuelo Hernández

oil, canvasMagic Realismcityscapebuildingtheatercityscapearchitecturenighttrees
some experience helpful

Recreating this painting will help students develop skills in architectural rendering, color mixing for atmospheric effects, and creating a sense of depth through value and color temperature changes. It also provides practice in capturing the texture of different surfaces.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the building and surrounding elements, focusing on accurate proportions.

  2. step 02

    Establish the overall value structure with a thin wash of a neutral color like burnt umber.

  3. step 03

    Block in the main color areas: the sky, the building facade, and the foliage.

  4. step 04

    Begin layering colors on the building, focusing on the warm highlights and cool shadows.

  5. step 05

    Develop the details of the architectural elements, such as windows, columns, and ornamentation.

  6. step 06

    Paint the foliage, using a variety of greens and browns to create texture and depth.

  7. step 07

    Add the details of the foreground, including the road and any other elements.

  8. step 08

    Refine the painting with final touches, such as highlights and shadows, to create a sense of realism.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · viridian green

Achieve the sky's purple hues by mixing ultramarine blue and alizarin crimson. Create the warm tones of the building by mixing yellow ochre, burnt umber, and cadmium yellow. Use viridian green mixed with burnt umber and yellow ochre for the foliage.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·color layering
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the building wrong.
  • →Using colors that are too saturated or unrealistic.
  • →Failing to create a sense of depth and atmosphere.
  • →Overworking the details and losing the overall impression.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, yellow ochre, burnt umber, titanium white, cadmium yellow, alizarin crimson, viridian green)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Birth of the Earth

Birth of the Earth

Nina Tokhtaman Valetova

Soundscape

Soundscape

Abdul Mati Klarwein

Le poisson choa

Le poisson choa

Nicolae Maniu

Hidden Pasture

Hidden Pasture

Eyvind Earle

Pacific

Pacific

Alex Colville

Poet With Flower

Poet With Flower

Stefan Caltia

Canzone

Canzone

Antonio Donghi

Sphinx

Sphinx

Nicolae Maniu