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home·artworks·Night and Sleep
Night and Sleep by Mary Lizzie Macomber

plate no. 1450

Night and Sleep

Mary Lizzie Macomber, 1902

oilRomanticismsymbolic paintingfiguresnightstarslightangelsportrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and creating a sense of depth through subtle value changes. It also provides practice in depicting light and shadow to create a focal point and mood.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the dark background using a mix of black and ultramarine blue.

  3. step 03

    Block in the main areas of color for the figures' skin and clothing.

  4. step 04

    Begin layering and blending skin tones, paying close attention to highlights and shadows.

  5. step 05

    Refine the details of the faces, including the eyes, nose, and mouth.

  6. step 06

    Paint the light source in the hand, using yellow and white to create a glowing effect.

  7. step 07

    Add the subtle details of the wings and stars.

  8. step 08

    Glaze with thin layers to unify the colors and create depth.

color palette

primary · ivory black · ultramarine blue · yellow ochre · titanium white

secondary · alizarin crimson · raw umber

Mix ivory black and ultramarine blue for the dark background. Use yellow ochre, titanium white, and a touch of alizarin crimson for skin tones. Mix raw umber with black for shadows.

techniques

  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·portraiture
  • ·rendering light

common pitfalls

  • →Overblending, which can result in a flat, lifeless appearance.
  • →Incorrect proportions of the figures.
  • →Failing to create a strong sense of light and shadow.
  • →Using too much paint, which can obscure the details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. A smooth canvas surface is recommended for easier blending.

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oil painting for beginners →how to learn by studying the masters →
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