
plate no. 1450
Mary Lizzie Macomber, 1902
Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and creating a sense of depth through subtle value changes. It also provides practice in depicting light and shadow to create a focal point and mood.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement and proportions of the figures.
Establish the dark background using a mix of black and ultramarine blue.
Block in the main areas of color for the figures' skin and clothing.
Begin layering and blending skin tones, paying close attention to highlights and shadows.
Refine the details of the faces, including the eyes, nose, and mouth.
Paint the light source in the hand, using yellow and white to create a glowing effect.
Add the subtle details of the wings and stars.
Glaze with thin layers to unify the colors and create depth.
color palette
primary · ivory black · ultramarine blue · yellow ochre · titanium white
secondary · alizarin crimson · raw umber
Mix ivory black and ultramarine blue for the dark background. Use yellow ochre, titanium white, and a touch of alizarin crimson for skin tones. Mix raw umber with black for shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A smooth canvas surface is recommended for easier blending.
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