
plate no. 4416
Pierre-Paul Prud'hon, 1795
Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering soft, diffused light. It also provides practice in depicting fabric and hair textures with pastels.
technical profile
approach — 8 steps
Lightly sketch the oval shape and the basic proportions of the head, shoulders, and clothing.
Establish the main light and shadow areas on the face using light brown and grey pastels.
Begin layering skin tones, blending light pinks, yellows, and creams for highlights and subtle browns and purples for shadows.
Work on the hair, using short, broken strokes of grey, white, and light brown to create texture and volume.
Define the clothing with layers of blue and grey pastels, paying attention to the folds and drapery.
Add details to the neckwear, using white and light grey pastels to create highlights and shadows.
Refine the facial features, adding details to the eyes, nose, and mouth.
Blend and soften edges as needed to create a smooth, naturalistic effect.
color palette
primary · titanium white · ultramarine blue · raw umber · yellow ochre
secondary · burnt sienna · ivory black · light pink
Mix various shades of skin tones by blending white, yellow ochre, burnt sienna, and a touch of blue or purple. Create the blue of the coat by mixing ultramarine blue with black and white for highlights.
techniques
common pitfalls
surface · Pastel paper (toned)
required
optional
Choose a pastel paper with a slightly textured surface to grip the pastel. A toned paper will help to establish the mid-tones and make it easier to build up highlights and shadows.
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