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home·artworks·Niagara Falls in Winter
Niagara Falls in Winter by Jasper Francis Cropsey

plate no. 5896

Niagara Falls in Winter

Jasper Francis Cropsey, 1868

oilRomanticismlandscapewaterfallsnowicewatertreessky
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to depict the texture of snow and ice. It also provides practice in mixing subtle color variations to represent light and shadow in a winter landscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the waterfall, cliffs, and water.

  2. step 02

    Establish the sky with a thin wash of pale yellow and blue, blending them softly.

  3. step 03

    Block in the large shapes of the cliffs and snow with light browns and whites, paying attention to the overall value structure.

  4. step 04

    Add the darker tones to the water, using greens and blues, and create highlights to suggest movement.

  5. step 05

    Develop the details of the waterfall, using greens, whites, and blues to represent the falling water and mist.

  6. step 06

    Add details to the cliffs and snow, including shadows, textures, and icicles.

  7. step 07

    Refine the details of the trees and foliage on the cliffs.

  8. step 08

    Add final highlights and details to the water and snow to create a sense of depth and realism.

color palette

primary · titanium white · raw umber · ultramarine blue

secondary · yellow ochre · viridian green · burnt sienna

Mix various shades of white with small amounts of blue, yellow, and brown to create the subtle variations in the snow. Combine blue and yellow to achieve the green hues of the water and waterfall. Use raw umber and burnt sienna for the cliffs, lightened with white.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using pure white without mixing in other colors for the snow.
  • →Not creating enough contrast between the light and shadow areas.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·viridian green oil paint
  • ·burnt sienna oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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