apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Niagara Falls
Niagara Falls by John Henry Twachtman

plate no. 5189

Niagara Falls

John Henry Twachtman, 1894

oil, canvasImpressionismlandscapewaterfallrockswaterskylandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and movement, as well as capturing the texture of water and rocks with visible brushstrokes. Students will also learn to simplify complex scenes into essential shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the waterfall, rocks, and horizon line using a light pencil.

  2. step 02

    Block in the large areas of color, starting with the sky and the overall tone of the water.

  3. step 03

    Layer different shades of blue and white to create the misty effect of the waterfall.

  4. step 04

    Add darker blues and greens to define the rocks and the base of the waterfall.

  5. step 05

    Use short, broken brushstrokes to suggest the movement of the water.

  6. step 06

    Introduce highlights with lighter blues and yellows to capture the light reflecting off the water.

  7. step 07

    Refine the details of the rocks and the edges of the waterfall.

  8. step 08

    Add final touches and adjust the values to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · viridian green · burnt umber

Mix ultramarine blue and white for the sky and lighter areas of the waterfall. Add yellow ochre to create warmer tones in the rocks and water. Use viridian green and burnt umber to darken the shadows.

techniques

  • ·wet-on-wet blending
  • ·broken brushstrokes
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the movement and energy of the waterfall.
  • →Ignoring the subtle color variations in the water and rocks.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·viridian green oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann