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home·artworks·Newborn Baby in a Crib
Newborn Baby in a Crib by Lavinia Fontana

plate no. 6987

Newborn Baby in a Crib

Lavinia Fontana, 1583

oilMannerism (Late Renaissance)portraitbabycribportraitlacefurniturepearls
experienced study

Recreating this painting will help students develop skills in rendering realistic skin tones, depicting intricate details such as lace and jewelry, and understanding the use of light and shadow to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and proportions of the crib and the baby.

  2. step 02

    Block in the main areas of color, focusing on the overall tones of the background, crib, and baby's skin and clothing.

  3. step 03

    Start building up the values and details in the baby's face, paying close attention to the subtle shifts in color and light.

  4. step 04

    Work on the details of the crib, including the wood grain, carvings, and lace trim.

  5. step 05

    Add the details of the baby's clothing and jewelry, such as the pearls and lace collar.

  6. step 06

    Refine the background and add any remaining details, such as the figure in the background.

  7. step 07

    Adjust the values and colors as needed to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · ivory · raw umber · burnt sienna

secondary · gold ochre · payne's gray · alizarin crimson

Mix ivory with small amounts of raw umber and burnt sienna to achieve the various skin tones. Use gold ochre and burnt sienna for the wood tones. Payne's gray and alizarin crimson can be mixed to create the dark background.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric
  • ·portraiture

common pitfalls

  • →Getting the proportions of the baby's face wrong.
  • →Overworking the details and losing the overall sense of form.
  • →Failing to capture the subtle shifts in color and light.
  • →Making the skin tones look flat or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·assorted brushes (small round, small flat)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. A smooth canvas surface will be helpful for rendering fine details.

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