apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·New Year Ball at Park Otel
New Year Ball at Park Otel by Ibrahim Calli

plate no. 3967

New Year Ball at Park Otel

Ibrahim Calli

oilImpressionismgenre paintingfiguresdancingballroompartyinteriorlighting
some experience helpful

Recreating this painting will help students develop skills in depicting figures in motion and capturing the atmosphere of a crowded scene using loose brushstrokes and subtle color variations. It's also a good exercise in creating depth through atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main figures and the overall layout of the ballroom.

  2. step 02

    Establish the background with broad, loose strokes, using a muted color palette to create a sense of depth.

  3. step 03

    Block in the main figures with simplified shapes and values, paying attention to their poses and interactions.

  4. step 04

    Begin to refine the details of the figures, adding subtle highlights and shadows to create form.

  5. step 05

    Develop the clothing and accessories of the figures, using a variety of brushstrokes to create texture and visual interest.

  6. step 06

    Add the lighting effects, focusing on the warm glow of the chandeliers and the way it illuminates the scene.

  7. step 07

    Refine the overall composition, adjusting the values and colors to create a sense of harmony and balance.

  8. step 08

    Add final details, such as the facial features of the figures and the decorations in the ballroom.

color palette

primary · ivory black · yellow ochre · raw umber

secondary · cadmium red · viridian · titanium white

Achieve the muted tones by mixing complementary colors and adding white or raw umber. Use glazes of diluted color to create subtle shifts in hue and value.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Creating figures that are too stiff or static.
  • →Failing to capture the atmosphere and lighting of the scene.
  • →Using colors that are too bright or saturated.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette knife
  • ·linseed oil
  • ·mineral spirits
  • ·oil paints

optional

  • ·palette
  • ·easel
  • ·painting medium

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of raw umber before beginning.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann