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home·artworks·New Mills, Norfolk: Men Wading
New Mills, Norfolk: Men Wading by John Crome

plate no. 2975

New Mills, Norfolk: Men Wading

John Crome, 1812

oilRomanticismlandscaperiverbuildingstreesskyfigureslandscape
some experience helpful

This painting offers practice in creating atmospheric perspective and rendering reflections in water. Students will also learn to simplify complex forms into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the buildings, trees, and riverbank.

  2. step 02

    Block in the sky with a thin wash of muted grays and yellows, suggesting the cloud formations.

  3. step 03

    Establish the basic values of the buildings and trees, using darker tones for shadows and lighter tones for highlights.

  4. step 04

    Paint the river, paying attention to the reflections of the buildings and trees.

  5. step 05

    Add details to the buildings, such as windows and brickwork, using small brushstrokes.

  6. step 06

    Refine the foliage of the trees, using a variety of greens and browns.

  7. step 07

    Add the figures in the foreground, paying attention to their proportions and placement.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and atmosphere.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · Prussian blue · burnt sienna

Mix muted greens by combining yellow ochre, Prussian blue, and a touch of burnt sienna. Achieve atmospheric perspective by lightening and cooling colors as they recede into the distance.

techniques

  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Making the colors too saturated and unrealistic.
  • →Failing to create a sense of depth and atmosphere.
  • →Not simplifying the forms enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·Prussian blue oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a limited palette to achieve color harmony. Consider using a toned canvas to establish a middle value.

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oil painting for beginners →how to learn by studying the masters →
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