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home·artworks·Nelson Receiving the Swords of the Spanish Surrendering on Board the ‘San Jose’
Nelson Receiving the Swords of the Spanish Surrendering on Board the ‘San Jose’ by Thomas Jones Barker

plate no. 1663

Nelson Receiving the Swords of the Spanish Surrendering on Board the ‘San Jose’

Thomas Jones Barker

oilRomanticismhistory paintingshipfigureshistorical eventsailorsdeckswords
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering fabrics and textures, and creating depth through atmospheric perspective. It also provides practice in depicting complex scenes with multiple figures and details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and the ship's structure.

  2. step 02

    Block in the main shapes and colors of the background, including the sky and ship details.

  3. step 03

    Roughly define the figures, focusing on their proportions and poses.

  4. step 04

    Start adding details to the figures, such as clothing, faces, and hands.

  5. step 05

    Refine the lighting and shadows to create depth and dimension.

  6. step 06

    Add details to the ship's deck and rigging.

  7. step 07

    Pay attention to the textures of different materials, such as wood, fabric, and metal.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · titanium white · cadmium red · yellow ochre

secondary · ultramarine blue · burnt umber · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Create shadows by adding burnt umber or ultramarine blue to the base colors. Use thin glazes of color to build up depth and luminosity.

techniques

  • ·figure drawing
  • ·glazing
  • ·atmospheric perspective
  • ·rendering fabric
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of figures
  • →Overly saturated colors
  • →Lack of depth and dimension
  • →Ignoring the light source
  • →Getting lost in the details too early

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·acrylic or oil paints
  • ·palette
  • ·linseed oil (if using oils)
  • ·mineral spirits (for cleanup)

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to simplify the initial blocking-in process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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