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home·artworks·Near Suez, Red Sea
Near Suez, Red Sea by Marianne North

plate no. 8079

Near Suez, Red Sea

Marianne North, 1880

oilImpressionismmarinaskycloudsmountainswaterreflectionlandscape
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle atmospheric effects and practice layering brushstrokes to create texture and depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, mountain range, and cloud formations.

  2. step 02

    Apply a thin wash of a warm color (e.g., orange or yellow) to the sky area.

  3. step 03

    Begin layering in the colors of the clouds, using pinks, blues, and purples, blending the edges slightly.

  4. step 04

    Paint the distant mountains with a muted blue-purple color, creating a sense of atmospheric perspective.

  5. step 05

    Mix colors for the water, reflecting the colors of the sky and mountains, using horizontal brushstrokes.

  6. step 06

    Add the reflections of the mountains in the water, ensuring they are slightly blurred and distorted.

  7. step 07

    Refine the details of the clouds and mountains, adding highlights and shadows to create depth.

  8. step 08

    Add final touches and adjustments to the colors and values to achieve the desired atmospheric effect.

color palette

primary · titanium white · cadmium red · ultramarine blue · yellow ochre

secondary · violet · orange · raw umber

Mix pinks by combining red and white, purples by combining blue and red, and muted tones by adding a touch of raw umber or yellow ochre.

techniques

  • ·wet-on-wet blending
  • ·layering
  • ·color mixing
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Over-blending the colors, resulting in a muddy effect.
  • →Using too much paint, obscuring the texture of the canvas.
  • →Neglecting the subtle variations in color and value.
  • →Making the reflections too sharp and defined.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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