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home·artworks·Near Moret
Near Moret by Alfred Sisley

plate no. 9646

Near Moret

Alfred Sisley, 1891

oil, canvasImpressionismlandscapelandscapetreesbuildingskypathchurch
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as capturing the impressionistic style through loose brushwork and color mixing. Students will also learn to simplify complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the building, trees, and horizon line.

  2. step 02

    Block in the sky with light grays and blues, using loose, horizontal brushstrokes.

  3. step 03

    Establish the main areas of the landscape with broad strokes of green, brown, and yellow.

  4. step 04

    Add the building, using a mix of grays, browns, and whites, paying attention to the light and shadow.

  5. step 05

    Paint the trees, varying the colors and textures to create depth and interest.

  6. step 06

    Refine the details of the path and foreground, adding highlights and shadows.

  7. step 07

    Add final touches to the sky and landscape, blending colors and softening edges.

  8. step 08

    Review the painting and make any necessary adjustments to the composition, color, or value.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium yellow · alizarin crimson · viridian

Mix grays by combining white, blue, and a touch of umber. Achieve greens by mixing yellow and blue, adjusting the ratio for different shades. Use small amounts of red to neutralize greens and browns.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the impressionistic style.
  • →Using too much detail and not simplifying the scene.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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