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home·artworks·Near a Cafe
Near a Cafe by Oleksandr Murashko

plate no. 0682

Near a Cafe

Oleksandr Murashko, 1903

oilImpressionismgenre paintingfigureswomendresseshatscafeinterior
experienced study

Recreating this painting will help students develop skills in capturing fleeting moments with loose brushwork and understanding how to suggest details rather than rendering them precisely. It also provides practice in mixing subtle color variations to create depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the background with broad strokes of muted colors, creating a sense of depth.

  3. step 03

    Block in the main shapes of the figures and their clothing, paying attention to the overall value structure.

  4. step 04

    Begin adding details to the faces and hands, using small, precise brushstrokes.

  5. step 05

    Develop the textures of the clothing, using a variety of brushstrokes and color variations.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Refine the details and adjust the colors as needed.

  8. step 08

    Add final touches to enhance the overall impression.

color palette

primary · ivory black · yellow ochre · raw umber

secondary · alizarin crimson · cerulean blue · titanium white

Achieve the subtle variations in skin tones by mixing small amounts of alizarin crimson and yellow ochre with white. Use ivory black and raw umber to create the dark tones in the clothing and background. Add small amounts of cerulean blue to create cooler shadows.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·implied detail
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using too much detail in the background, which can flatten the image.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·alizarin crimson oil paint
  • ·cerulean blue oil paint
  • ·titanium white oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas to allow for a variety of brushstrokes. Consider using a toned canvas to establish a base color and simplify the painting process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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