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home·artworks·Neapolitan landscape
Neapolitan landscape by Gabriele Smargiassi

plate no. 6644

Neapolitan landscape

Gabriele Smargiassi, 1830

oilRomanticismmarinaseabuildingfiguresskybeachboat
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic water reflections. It also provides practice in depicting architectural details and figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the building, coastline, and figures.

  2. step 02

    Establish the horizon line and the overall tonal values of the sky and sea.

  3. step 03

    Block in the main shapes of the building and rocks, paying attention to their forms and shadows.

  4. step 04

    Begin layering colors for the sky, blending to create a soft, atmospheric effect.

  5. step 05

    Develop the colors of the sea, using horizontal strokes to suggest the movement of water and reflections.

  6. step 06

    Add details to the building, including windows, architectural features, and cast shadows.

  7. step 07

    Paint the figures on the beach, focusing on their proportions and clothing details.

  8. step 08

    Refine the details of the rocks, sand, and boat, adding texture and highlights.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · cadmium red light

Mix blues and whites for the sky and sea, adding touches of yellow ochre for warmth. Use raw umber and burnt sienna for the rocks and sand, lightening with white for highlights.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·blending

common pitfalls

  • →Overworking the details in the building, losing the overall sense of atmosphere.
  • →Making the colors of the sea too uniform, neglecting the subtle variations in tone and reflection.
  • →Ignoring the principles of perspective, resulting in a flat or distorted composition.
  • →Getting the proportions of the figures wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Pre-tinting the canvas with a thin wash of raw umber can help to create a warm, unified base.

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oil painting for beginners →how to learn by studying the masters →
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