apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Nathaniel Hawthorne
Nathaniel Hawthorne by Emanuel Leutze

plate no. 7793

Nathaniel Hawthorne

Emanuel Leutze, 1862

canvas, oilRomanticismportraitportraitmanovalclothinghairface
some experience helpful

Recreating this portrait will help students develop skills in rendering realistic skin tones and capturing subtle variations in light and shadow. It also provides practice in creating a convincing likeness of a subject.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval shape and the basic proportions of the head and shoulders.

  2. step 02

    Block in the main areas of color: background, skin, hair, and clothing.

  3. step 03

    Begin refining the skin tones, paying attention to the subtle shifts in color and value.

  4. step 04

    Add details to the facial features, focusing on capturing the likeness of the subject.

  5. step 05

    Work on the hair, creating texture and volume with varied brushstrokes.

  6. step 06

    Refine the clothing, adding details like folds and highlights.

  7. step 07

    Adjust the background, ensuring it complements the subject without being distracting.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · raw umber · burnt umber · titanium white

secondary · cadmium red light · yellow ochre

Mix skin tones by blending white, raw umber, burnt umber, and a touch of red. Use ivory black and burnt umber for the clothing, adding small amounts of white for highlights.

techniques

  • ·blending
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to capture the correct proportions of the face.
  • →Ignoring subtle shifts in value and color.
  • →Overworking the painting, losing the freshness of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20)
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke