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home·artworks·Napoleon In Burning Moscow
Napoleon In Burning Moscow by Albrecht Adam

plate no. 9651

Napoleon In Burning Moscow

Albrecht Adam, 1841

oilRomanticismhistory paintingfigureshorsesbuildingscityscapesmokemilitary
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, rendering complex figures, and creating a sense of depth and scale. It also provides practice in mixing subtle color variations to achieve a realistic and historical feel.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main figures and the buildings in the background.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying attention to the areas of light and shadow.

  3. step 03

    Block in the main colors of the sky, buildings, and ground, using a limited palette of earth tones.

  4. step 04

    Begin to develop the figures, starting with the larger shapes and gradually adding details.

  5. step 05

    Refine the details of the horses, including their anatomy and musculature.

  6. step 06

    Add the smoke and atmospheric effects, using soft blending techniques to create a sense of depth.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition and enhance the overall mood.

  8. step 08

    Add final highlights and details, such as the gold accents on the uniforms and the reflections on the buildings.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the smoky atmosphere by mixing thin washes of burnt umber, ivory black, and ultramarine blue. Use yellow ochre and cadmium red to create the warm tones of the buildings and horses, and titanium white to create highlights.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·figure drawing
  • ·horse anatomy
  • ·tonal painting

common pitfalls

  • →Getting lost in the details too early
  • →Failing to establish a strong value structure
  • →Overworking the painting
  • →Inaccurate proportions of figures and horses

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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