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home·artworks·NAPOLEON HOUSE, FRENCH QUARTER, NEW ORLEANS, BASTILLE DAY
NAPOLEON HOUSE, FRENCH QUARTER, NEW ORLEANS, BASTILLE DAY by Colette Pope Heldner

plate no. 0887

NAPOLEON HOUSE, FRENCH QUARTER, NEW ORLEANS, BASTILLE DAY

Colette Pope Heldner

oilImpressionismcityscapebuildingscityscapefiguresstreetskybalconies
experienced study

Recreating this painting will help students develop skills in depicting atmospheric perspective and capturing the essence of a bustling urban scene with loose brushwork. It also provides practice in rendering figures in motion and creating a sense of depth through layering.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main architectural elements and the overall composition, focusing on perspective.

  2. step 02

    Block in the sky with broad strokes of warm colors, blending them softly.

  3. step 03

    Establish the basic shapes and values of the buildings, using a limited palette of grays, blues, and browns.

  4. step 04

    Add the figures in the foreground, simplifying their forms and focusing on their gestures and poses.

  5. step 05

    Develop the details of the balconies, windows, and awnings, using smaller brushes and more precise strokes.

  6. step 06

    Introduce highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details of the figures, adding facial features and clothing details.

  8. step 08

    Add final touches and adjust the overall color balance.

color palette

primary · yellow ochre · ultramarine blue · burnt umber

secondary · cadmium red · titanium white · sap green

Mix various shades of gray by combining ultramarine blue, burnt umber, and white. Achieve warm highlights by mixing yellow ochre with a touch of cadmium red. Create atmospheric perspective by adding white to the colors of distant objects.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·gestural brushwork

common pitfalls

  • →Overworking the details and losing the spontaneity of the impressionistic style.
  • →Failing to establish a strong sense of perspective.
  • →Using colors that are too saturated and unnatural.
  • →Ignoring the importance of light and shadow in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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