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home·artworks·Napoléon and Marie Louise Attending the Parade of the Squadron in Cherbourg, in 1811
Napoléon and Marie Louise Attending the Parade of the Squadron in Cherbourg, in 1811 by Louis-Philippe Crépin

plate no. 0502

Napoléon and Marie Louise Attending the Parade of the Squadron in Cherbourg, in 1811

Louis-Philippe Crépin

oilRomanticismmarinashipsfiguresflagskywatercoastline
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with many figures. It also provides practice in capturing the texture of water and the details of sailing ships.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the horizon line, major shapes of the ships, and the coastline.

  2. step 02

    Block in the sky with light blues and grays, focusing on soft transitions between colors.

  3. step 03

    Establish the basic shapes of the ships, paying attention to their relative sizes and positions.

  4. step 04

    Add the darker tones of the water, blending them to create a sense of depth.

  5. step 05

    Roughly sketch in the figures on the coastline, focusing on their general shapes and positions.

  6. step 06

    Begin adding details to the ships, such as sails, rigging, and flags.

  7. step 07

    Refine the figures on the coastline, adding details to their clothing and faces.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · yellow ochre · payne's gray

Mix blues and whites for the sky and water. Use burnt umber and white for the earth tones of the coastline. Mix reds, yellows, and blues to create the various colors of the figures' clothing.

techniques

  • ·atmospheric perspective
  • ·rendering figures
  • ·ship details
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong sense of depth.
  • →Making the figures too stiff and unnatural.
  • →Overworking the painting and losing the freshness of the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·easel
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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