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home·artworks·Naples View From The Corner Of Castello Del Carmine
Naples View From The Corner Of Castello Del Carmine by Saverio della Gatta

plate no. 8326

Naples View From The Corner Of Castello Del Carmine

Saverio della Gatta, 1785

oilRomanticismlandscapecityscapewaterskyfiguresarchitectureboats
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering architectural details with subtle color variations. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: the coastline, the castle, the tower, and the figures.

  2. step 02

    Establish the sky with a light blue wash, blending in hints of pink and gray for the clouds.

  3. step 03

    Block in the distant mountain and cityscape with muted greens and grays, paying attention to atmospheric perspective.

  4. step 04

    Paint the water with varying shades of blue and gray, reflecting the sky and the cityscape.

  5. step 05

    Add details to the tower and the foreground architecture, using a range of browns and ochres.

  6. step 06

    Paint the figures in the foreground, focusing on their gestures and clothing.

  7. step 07

    Add the boats and other small details to the water.

  8. step 08

    Refine the details and adjust the values to create depth and atmosphere.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · payne's gray

Achieve the muted tones of the cityscape by mixing the primary colors with white and a touch of umber. Create the sky colors by gradually adding white to the blue and mixing in small amounts of yellow ochre or burnt sienna for the clouds.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·linear perspective

common pitfalls

  • →Overly bright colors that destroy the atmospheric effect
  • →Lack of detail in the foreground
  • →Incorrect perspective in the architectural elements
  • →Ignoring the subtle color variations in the water and sky

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·odorless mineral spirits or water

optional

  • ·easel
  • ·ruler
  • ·varnish

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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