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home·artworks·Naples. The Capella Nuova outside the Porta di Chiaja
Naples. The Capella Nuova outside the Porta di Chiaja by Thomas Jones

plate no. 9006

Naples. The Capella Nuova outside the Porta di Chiaja

Thomas Jones, 1782

oilRomanticismcityscapebuildingarchitectureskycloudscityscapedome
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and architectural rendering. It also provides practice in mixing subtle color variations to create depth and form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the building and horizon line.

  2. step 02

    Block in the sky with a light blue, adding subtle variations for the clouds.

  3. step 03

    Establish the main values of the building, starting with the darkest shadows and lightest highlights.

  4. step 04

    Mix a range of neutral tones for the building's walls and roof, paying attention to the subtle color shifts.

  5. step 05

    Add details to the building, such as windows, doors, and architectural features.

  6. step 06

    Paint the foreground, blending the colors to create a sense of depth.

  7. step 07

    Refine the details and adjust the values as needed.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · burnt sienna · yellow ochre

Mix the sky color by gradually adding white to ultramarine blue. Use raw umber and burnt sienna mixed with white to create the various tones of the building. Add touches of yellow ochre for warmth.

techniques

  • ·atmospheric perspective
  • ·value studies
  • ·architectural rendering
  • ·color mixing
  • ·blending

common pitfalls

  • →Overworking the details
  • →Using colors that are too saturated
  • →Ignoring the subtle value shifts
  • →Incorrect perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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