
plate no. 2662
Thomas Jones, 1782
Recreating this painting will help students develop skills in layering colors to create depth and modeling form with subtle value changes. It also provides practice in depicting architectural details within a natural landscape.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the buildings, cliff face, and trees.
Establish the sky color with a thin, even wash.
Block in the general shapes of the cliff and buildings with light, neutral tones.
Begin layering darker tones to define shadows and create depth on the cliff face and in the foliage.
Add details to the buildings, such as windows and architectural features.
Refine the foliage by adding highlights and variations in green tones.
Work on the foreground wall, adding texture and variations in color.
Add final highlights and details to complete the painting.
color palette
primary · ultramarine blue · raw umber · titanium white · yellow ochre
secondary · sap green · burnt sienna
Mix various shades of green by combining yellow ochre, ultramarine blue, and a touch of burnt sienna. Create the cliff face colors by mixing raw umber, yellow ochre, and titanium white in varying proportions.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a smooth texture to facilitate blending and layering. Consider using a toned canvas to establish a base color.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke