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home·artworks·Namaiesti Monastery
Namaiesti Monastery by Nicolae Vermont

plate no. 3979

Namaiesti Monastery

Nicolae Vermont, 1901

oilImpressionismlandscapebuildingstairstreesskyfigureslandscape
some experience helpful

Recreating this painting will help students practice loose brushwork and color mixing to create a sense of atmosphere and depth. It also offers a chance to work with perspective in a complex architectural setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition: building, stairs, and horizon line.

  2. step 02

    Block in the sky with light blues and whites, using loose brushstrokes.

  3. step 03

    Establish the basic colors of the building and surrounding foliage, focusing on the overall tones.

  4. step 04

    Begin adding details to the building, such as the roof, windows, and archway.

  5. step 05

    Paint the stairs, paying attention to the perspective and the way the light falls on them.

  6. step 06

    Add the figures on the stairs with simple shapes and dark colors.

  7. step 07

    Refine the foliage with a variety of greens and browns, using broken brushstrokes.

  8. step 08

    Add final details and highlights to create depth and interest.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium yellow · alizarin crimson · viridian green

Mix greens by combining blues and yellows. Use white to lighten colors and create highlights. Browns can be achieved by mixing umber with blues, reds, or yellows.

techniques

  • ·broken brushstrokes
  • ·color mixing
  • ·atmospheric perspective
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Ignoring the perspective of the stairs and building.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints (titanium white, ultramarine blue, yellow ochre, burnt umber, cadmium yellow, alizarin crimson)
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil or other painting medium
  • ·palette knife
  • ·rags
  • ·odorless mineral spirits

optional

  • ·painting easel
  • ·medium gloss
  • ·retouch varnish

Use good quality oil paints for best results. A medium can help with blending and drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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