
plate no. 1163
Lesser Ury, 1920
This painting is a great study in capturing atmosphere and reflections. Students will learn to simplify forms and use loose brushwork to create a sense of movement and light.
technical profile
approach — 8 steps
Sketch the basic composition: horizon line, placement of figure, and major light sources.
Block in the darkest areas with a thin wash of dark brown or black.
Establish the main areas of light: streetlights, car headlights, and reflections on the wet pavement.
Begin adding details to the figure, focusing on the shape of the umbrella and the folds of the clothing.
Use short, broken brushstrokes to create the texture of the rain and the reflections.
Soften edges and blend colors to create a sense of atmosphere.
Add final highlights to the lights and reflections.
Refine details and adjust values as needed.
color palette
primary · ivory black · raw umber · burnt sienna
secondary · titanium white · yellow ochre · ultramarine blue
Mix various shades of gray by combining black and white with small amounts of umber or blue. Use yellow ochre and burnt sienna to create the warm glow of the streetlights and car headlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a limited palette to simplify the color mixing process. Consider using a toned canvas to create a more unified effect.
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