apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·My zenith doth depend upon a most auspicious star - from The Tempest
My zenith doth depend upon a most auspicious star - from The Tempest by Edmund Dulac

plate no. 1277

My zenith doth depend upon a most auspicious star - from The Tempest

Edmund Dulac

oilArt Nouveau (Modern)illustrationfigureskystarshillbooktelescope
some experience helpful

This painting is a good exercise in creating atmospheric perspective and rendering a figure in a landscape. Students will practice blending and layering colors to create depth and subtle variations in tone.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the figure, hill, and horizon line.

  2. step 02

    Apply a light wash of blue for the sky, gradually darkening towards the top.

  3. step 03

    Add subtle variations in the sky using slightly different shades of blue and hints of purple.

  4. step 04

    Paint the hill with a base color of brown and green, adding highlights and shadows to create form.

  5. step 05

    Render the figure with a combination of brown, purple, and gold tones, paying attention to the folds of the robe.

  6. step 06

    Add details such as the book, telescope, and stars.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final touches like the small white dots on the hill.

color palette

primary · cerulean blue · burnt umber · raw sienna

secondary · purple · gold · white

Mix different shades of blue by adding white or purple. Create earth tones by mixing brown, green, and yellow. Achieve the gold color by mixing yellow with a touch of brown and orange.

techniques

  • ·wet-on-wet blending
  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·rendering fabric

common pitfalls

  • →Overworking the sky and losing the subtle variations in tone.
  • →Making the figure too detailed and out of place with the rest of the painting.
  • →Not creating enough depth in the hill.
  • →Using colors that are too saturated.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil

optional

  • ·masking fluid
  • ·ruler
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois