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home·artworks·My last view of Italy, looking from the alps over Suza
My last view of Italy, looking from the alps over Suza by John Glover

plate no. 2274

My last view of Italy, looking from the alps over Suza

John Glover, 1835

oilRomanticismlandscapetreesmountainslandscapefiguresanimalssky
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create depth using color and value changes. It also provides practice in rendering detailed foliage and figures in a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, mountains, and figures.

  2. step 02

    Establish the sky with a light blue wash, blending it smoothly.

  3. step 03

    Block in the distant mountains with muted blues and grays, using lighter values to create atmospheric perspective.

  4. step 04

    Paint the larger trees, starting with the trunks and branches, then adding the foliage with varying shades of green and brown.

  5. step 05

    Develop the foreground landscape, paying attention to the details of the rocks, grass, and figures.

  6. step 06

    Add the animals, using small brushes to capture their forms and details.

  7. step 07

    Refine the details throughout the painting, adjusting values and colors as needed.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · sap green · raw sienna · cadmium yellow light

Mix muted blues and grays for the distant mountains by combining ultramarine blue, burnt umber, and white. Achieve the foliage colors by mixing yellow ochre, sap green, and burnt umber in varying proportions.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·blending
  • ·scumbling

common pitfalls

  • →Failing to create sufficient depth in the landscape.
  • →Overworking the details in the foreground.
  • →Using colors that are too saturated.
  • →Ignoring the subtle value changes in the sky and mountains.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·easel
  • ·painting medium

Use a medium-tooth canvas for best results. Consider using a pre-toned canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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