apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·My House
My House by John Henry Twachtman

plate no. 2967

My House

John Henry Twachtman, 1900

oil, canvasImpressionismlandscapehouseporchtreesgrassgardenarchitecture
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to capture light and shadow. It also provides practice in creating depth and atmosphere through color and value variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition lightly on the canvas.

  2. step 02

    Establish the main areas of color: sky, house, trees, and grass.

  3. step 03

    Block in the shadows and highlights on the house and porch.

  4. step 04

    Begin adding details to the trees and foliage using short, broken brushstrokes.

  5. step 05

    Develop the texture of the grass with varying shades of green and yellow.

  6. step 06

    Refine the details of the porch columns and roof.

  7. step 07

    Add the final touches to the flowers and other small details.

  8. step 08

    Adjust values and colors as needed to create a cohesive and atmospheric effect.

color palette

primary · titanium white · viridian green · ultramarine blue

secondary · yellow ochre · burnt sienna · cadmium yellow

Mix greens by combining viridian green with yellow ochre or cadmium yellow. Create grays and blues for the house by mixing white with small amounts of ultramarine blue and burnt sienna.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·wet-on-wet blending
  • ·color layering

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the subtle variations in light and shadow.
  • →Ignoring the importance of broken color and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints (titanium white, viridian green, ultramarine blue, yellow ochre, burnt sienna, cadmium yellow)
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann