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home·artworks·My House
My House by Eliseu Visconti

plate no. 5331

My House

Eliseu Visconti, 1929

oilImpressionismlandscapehouselandscapefigurestreesskygarden
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve muted tones and practice loose, expressive brushwork to capture the impressionistic style. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the house, mountain, and foreground.

  2. step 02

    Block in the large areas of color for the sky, mountain, house, and ground.

  3. step 03

    Establish the basic values and color temperature of the roof.

  4. step 04

    Add details to the house, such as windows, doors, and the clothesline.

  5. step 05

    Develop the foreground with loose brushstrokes, suggesting grass and flowers.

  6. step 06

    Refine the sky and mountain with subtle color variations.

  7. step 07

    Add small figures to the scene, keeping them simple and impressionistic.

  8. step 08

    Add final details and highlights to enhance the overall impression.

color palette

primary · titanium white · raw umber · burnt sienna · ultramarine blue

secondary · cadmium red light · yellow ochre · sap green

Achieve the muted tones by mixing complementary colors and adding white. Use raw umber and ultramarine blue to create grays and muted greens. Mix burnt sienna and cadmium red for the roof.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·layering

common pitfalls

  • →Overworking the details, losing the impressionistic feel.
  • →Using colors straight from the tube without mixing.
  • →Creating too much contrast, making the painting look harsh.
  • →Ignoring the subtle color variations in the sky and ground.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to allow for better paint adhesion and brushstroke visibility.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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