plate no. 8977
My Heart Cries for the Past
Fernand Khnopff, 1889
some experience helpful
This painting provides practice in creating soft, atmospheric effects and rendering subtle tonal variations to depict a dreamlike scene. Students can learn to create a sense of depth and mood using a limited color palette.
technical profile
palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
3
study guide
est. 10 hrsapproach — 8 steps
- step 01
Sketch the basic composition, focusing on the placement of the figure, reflection, and architectural elements.
- step 02
Establish the overall tonal range with a light wash of diluted burnt umber or similar earth tone.
- step 03
Begin building up darker values in the hair, clothing, and architectural details, using thin layers.
- step 04
Define the facial features and contours of the figure, paying close attention to the subtle gradations of light and shadow.
- step 05
Create the reflection by mirroring the architectural elements and softening the edges to create a sense of depth.
- step 06
Add details to the bridge and building, keeping the edges soft and blurred to maintain the atmospheric effect.
- step 07
Refine the highlights and shadows to enhance the three-dimensionality of the forms.
- step 08
Add final touches and adjust the overall tonal balance to achieve the desired mood.
color palette
primary · burnt umber · raw sienna · ivory black
secondary · titanium white · yellow ochre
Achieve the muted tones by mixing burnt umber with raw sienna and small amounts of black and white. Use yellow ochre sparingly to add warmth to certain areas.
techniques
- ·glazing
- ·scumbling
- ·dry brushing
- ·tonal layering
- ·soft blending
common pitfalls
- →Overworking the details and losing the soft, atmospheric effect.
- →Creating harsh lines and edges that detract from the dreamlike quality.
- →Failing to establish a clear tonal range, resulting in a flat and lifeless image.
- →Using too much color and overpowering the subtle nuances of the palette.
materials
surface · stretched canvas
required
- ·stretched canvas
- ·burnt umber oil paint
- ·raw sienna oil paint
- ·ivory black oil paint
- ·titanium white oil paint
- ·round brushes (small and medium)
- ·linseed oil
- ·odorless mineral spirits
optional
- ·palette knife
- ·medium gloss
- ·yellow ochre oil paint
Use high-quality oil paints for best results. A toned canvas can help to establish the overall tonal range.
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