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home·artworks·My Courtyard (in Bangkok)
My Courtyard (in Bangkok) by Galileo Chini

plate no. 1976

My Courtyard (in Bangkok)

Galileo Chini, 1911

oil, cardboardImpressionismcityscapearchitecturecourtyardbuildingstairstreepot
some experience helpful

Recreating this painting will help students develop skills in depicting light and shadow on architectural forms and creating a sense of depth using color and brushwork. It also provides practice in capturing the texture of different surfaces.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 7 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the architecture.

  2. step 02

    Block in the large areas of color, focusing on the overall value structure.

  3. step 03

    Establish the light and shadow patterns on the buildings and ground.

  4. step 04

    Refine the details of the architectural elements, such as the stairs, railings, and doors.

  5. step 05

    Add the tree and pot, paying attention to their shapes and colors.

  6. step 06

    Develop the texture of the surfaces with visible brushstrokes.

  7. step 07

    Adjust the colors and values to create a sense of atmosphere and depth.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · burnt sienna · ultramarine blue · cadmium red

Mix various shades of ochre and umber with white to create the building's colors. Use burnt sienna and red for the pot. Mix blue with umber for cooler shadows.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brush
  • ·color mixing
  • ·layering

common pitfalls

  • →getting the perspective wrong
  • →overworking the details
  • →not capturing the light and shadow accurately
  • →using colors that are too saturated

materials

surface · cardboard or canvas panel

required

  • ·oil paints
  • ·cardboard or canvas panel
  • ·palette
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

A toned surface (e.g., with a thin wash of raw umber) can be helpful.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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