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home·artworks·My Acid Workshop (Where I do my Etching)
My Acid Workshop (Where I do my Etching) by Carl Larsson

plate no. 5635

My Acid Workshop (Where I do my Etching)

Carl Larsson, 1910

watercolor, paperArt Nouveau (Modern)genre paintinginteriorfigurestableprinting pressdogbooks
some experience helpful

Recreating this painting will help students develop skills in rendering figures in an interior space and understanding how to create depth through layering and subtle color variations. It also encourages careful observation of details and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, paying attention to proportions and perspective.

  2. step 02

    Establish the background with thin washes of color, starting with the lightest areas.

  3. step 03

    Gradually build up the colors in the figures and objects, layering washes to create depth and form.

  4. step 04

    Add details such as the facial features, clothing folds, and patterns on the wall hangings.

  5. step 05

    Define the shadows and highlights to create a sense of volume and dimension.

  6. step 06

    Refine the edges and details, adding final touches to the composition.

  7. step 07

    Pay attention to the textures of the different surfaces, such as the wood, fabric, and paper.

  8. step 08

    Add final details to the dog.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna

secondary · sap green · cadmium red · ivory black

Mix ultramarine and burnt sienna for the grays and shadows. Use yellow ochre and a touch of red for the warm tones in the skin and wood. Mix sap green with yellow ochre for the green tones.

techniques

  • ·watercolor washes
  • ·layering
  • ·dry brushing
  • ·glazing
  • ·rendering figures

common pitfalls

  • →Overworking the colors and losing the transparency of the watercolor.
  • →Not paying attention to the proportions of the figures and objects.
  • →Ignoring the subtle color variations in the shadows and highlights.
  • →Rushing the process and not allowing the layers to dry properly.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use high-quality watercolor paper to prevent buckling and allow for multiple layers. Experiment with different brush sizes to achieve various effects.

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watercolor techniques →how to learn by studying the masters →
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