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home·artworks·Musician Smoking a Cigarette in the Background of Copenhagen
Musician Smoking a Cigarette in the Background of Copenhagen by Gerda Wegener

plate no. 2485

Musician Smoking a Cigarette in the Background of Copenhagen

Gerda Wegener

oilArt Nouveau (Modern)portraitportraitfigurecityscapeclothingviolincigarette
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing atmospheric perspective in the background.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and background elements.

  2. step 02

    Establish the overall color scheme with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main areas of color for the skin, clothing, and background.

  4. step 04

    Begin layering and blending colors to create depth and form in the face and hands.

  5. step 05

    Add details to the clothing, paying attention to the folds and textures.

  6. step 06

    Develop the background cityscape, using lighter values and softer edges to create distance.

  7. step 07

    Refine the details of the violin and cigarette.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and mood.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white, with small amounts of cadmium red for warmth. Use ultramarine blue and burnt umber to create muted grays for the background.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle shifts in color temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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