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Mulo by Achille Beltrame

plate no. 3177

Mulo

Achille Beltrame

oilArt Nouveau (Modern)genre paintingfigureanimalsnowmountainsupplieslandscape
some experience helpful

This painting is great for learning how to depict figures and animals in a snowy landscape using a limited palette and loose brushwork. Students will develop skills in color mixing to create realistic snow shadows and rendering form with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the figure, animal, and the slope of the mountain.

  2. step 02

    Establish the overall value structure with a thin wash of diluted paint.

  3. step 03

    Block in the main colors of the sky, snow, figure, and animal, paying attention to the light and shadow.

  4. step 04

    Start adding details to the figure and animal, refining their forms and adding textures.

  5. step 05

    Develop the snow with varying shades of white and blue, using short, broken brushstrokes to create texture.

  6. step 06

    Add highlights to the snow and the animal's coat to create a sense of depth and dimension.

  7. step 07

    Refine the details of the supplies and equipment, adding small accents of color and texture.

  8. step 08

    Add final touches and adjust values as needed to create a cohesive and atmospheric painting.

color palette

primary · titanium white · raw umber · burnt sienna

secondary · ultramarine blue · yellow ochre

Mix white with small amounts of blue and umber to create the cool tones of the snow. Use burnt sienna and yellow ochre for the animal's coat, and mix umber and blue for the figure's clothing.

techniques

  • ·dry brush
  • ·scumbling
  • ·broken color
  • ·limited palette
  • ·alla prima

common pitfalls

  • →Overworking the snow and losing the sense of texture.
  • →Making the colors too saturated and unnatural.
  • →Ignoring the subtle shifts in value that create depth.
  • →Getting bogged down in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grit canvas for better texture. Consider using a toned canvas to establish a base color.

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