apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mulher da Água
Mulher da Água by Henrique Pousao

plate no. 6732

Mulher da Água

Henrique Pousao, 1883

oilImpressionismgenre paintingfigurebuildingswalllandscapeskylaundry
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with broken color and loose brushwork, as well as simplifying complex scenes into essential shapes and values. It's also a good exercise in painting figures in a landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the wall, buildings, figure, and laundry pile.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the large areas of color: the ochre of the wall, the blue-gray of the laundry, the green of the skirt, and the sky.

  4. step 04

    Start building up the texture of the wall with broken brushstrokes of varying shades of ochre, yellow, and white.

  5. step 05

    Refine the figure, paying attention to the light and shadow on the face and clothing.

  6. step 06

    Add details to the laundry pile, using short, broken strokes to suggest the folds and textures.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to the figure and buildings.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · titanium white · raw sienna · viridian

Mix various shades of ochre by combining yellow ochre, burnt umber, and white. Create the blue-gray of the laundry by mixing ultramarine blue, white, and a touch of burnt umber. Achieve the green of the skirt by mixing ultramarine blue and yellow ochre.

techniques

  • ·broken color
  • ·dry brush
  • ·scumbling
  • ·alla prima
  • ·value blocking

common pitfalls

  • →Overworking the details and losing the freshness of the brushwork.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Making the figure too stiff or posed.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

A medium-textured canvas will work well for this painting. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann