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home·artworks·Mt. Vesuvius and the Bay of Naples
Mt. Vesuvius and the Bay of Naples by Johann Hermann Carmiencke

plate no. 7926

Mt. Vesuvius and the Bay of Naples

Johann Hermann Carmiencke

oilRomanticismlandscapelandscapemountainstreeswaterfiguresarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. Students will also learn to mix subtle color variations for realistic landscapes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, trees, and coastline.

  2. step 02

    Block in the sky with light blues and pinks, blending smoothly.

  3. step 03

    Establish the distant mountains with muted purples and grays, using atmospheric perspective.

  4. step 04

    Paint the water with varying shades of blue and green, reflecting the sky.

  5. step 05

    Add the large trees on either side, focusing on their shapes and the play of light and shadow.

  6. step 06

    Develop the mid-ground with details of the buildings and cliffs, using warm earth tones.

  7. step 07

    Paint the bridge and figures in the foreground, adding details to create depth.

  8. step 08

    Refine the details and highlights throughout the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · cadmium yellow · alizarin crimson · viridian green

Achieve the atmospheric perspective by mixing blues and purples with white to create lighter, cooler tones for distant objects. Mix greens with browns and yellows for the foliage, and use reds and oranges to add warmth to the buildings and cliffs.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·blending
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overworking the details in the distant areas
  • →Using colors that are too saturated
  • →Ignoring the effects of light and shadow
  • →Not establishing a clear focal point
  • →Incorrect proportions in the initial sketch

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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