apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mt. Barker
Mt. Barker by Horace Trenerry

plate no. 4386

Mt. Barker

Horace Trenerry, 1928

oilImpressionismlandscapelandscapetreesbuildingskyfieldsroad
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in simplifying complex scenes into basic shapes and values. It's also a good exercise in capturing the atmospheric perspective of a landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main elements (trees, building, road, hills).

  2. step 02

    Establish the horizon line and the overall perspective of the scene.

  3. step 03

    Block in the large areas of color, starting with the sky and the distant hills.

  4. step 04

    Add the mid-ground elements, such as the trees and the building, using simplified shapes and colors.

  5. step 05

    Develop the foreground, focusing on the road and the details of the trees.

  6. step 06

    Refine the colors and values, paying attention to the light and shadow.

  7. step 07

    Add details and textures with visible brushstrokes.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · sap green · cadmium yellow · raw sienna

Mix greens by combining blue and yellow. Use white to lighten colors and create highlights. Mix browns and grays by combining the primary colors in varying proportions.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated.
  • →Ignoring the atmospheric perspective and failing to create a sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann