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home·artworks·Mrs. Thomas Fuller (Mary Fuller)
Mrs. Thomas Fuller (Mary Fuller) by Samuel Morse

plate no. 6753

Mrs. Thomas Fuller (Mary Fuller)

Samuel Morse

oil, canvasRomanticismportraitportraitfigureclothinghistoricalwoman
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations for realistic skin tones. It also provides practice in rendering fabric and textures.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the head, shoulders, and hands.

  2. step 02

    Establish the background with a thin wash of neutral color.

  3. step 03

    Block in the main areas of color for the skin, clothing, and accessories.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and subtle value changes.

  5. step 05

    Develop the details of the clothing, including the folds and textures of the fabric.

  6. step 06

    Add the highlights and shadows to create depth and dimension.

  7. step 07

    Refine the background and edges to create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · titanium white · ivory black · raw umber · burnt sienna

secondary · alizarin crimson · ultramarine blue · yellow ochre

Skin tones are achieved by mixing white, raw umber, burnt sienna, and small amounts of alizarin crimson and yellow ochre. Darker areas use more raw umber and black. The clothing uses mixtures of black, blue, and white.

techniques

  • ·portrait sketching
  • ·value studies
  • ·glazing
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the face
  • →Overly harsh or flat skin tones
  • →Lack of attention to detail in the clothing
  • →Ignoring subtle value changes

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (titanium white, ivory black, raw umber, burnt sienna, alizarin crimson, yellow ochre, ultramarine blue)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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