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home·artworks·Mrs. Potter Palmer
Mrs. Potter Palmer by Anders Zorn

plate no. 9499

Mrs. Potter Palmer

Anders Zorn, 1893

oil, canvasImpressionismportraitportraitfiguredresswindowinteriorjewelry
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow on fabric and skin tones, as well as simplifying complex forms into expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and the background.

  2. step 02

    Establish the dark background and the light source from the window.

  3. step 03

    Block in the main areas of the dress with broad strokes, focusing on the light and shadow.

  4. step 04

    Start building up the details of the face, hands, and jewelry, using small, precise brushstrokes.

  5. step 05

    Refine the folds and textures of the dress, paying attention to how the light interacts with the fabric.

  6. step 06

    Add the details of the window and the surrounding interior, keeping them soft and impressionistic.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · cadmium yellow · alizarin crimson

Achieve the skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Use ivory black and raw umber for the dark background and shadows, and white with a touch of yellow ochre for the highlights on the dress.

techniques

  • ·alla prima
  • ·scumbling
  • ·broken color
  • ·chiaroscuro
  • ·implied detail

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Struggling with accurate proportions of the figure.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to establish the overall value range.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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