
plate no. 1748
Thomas Sully, 1814
Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and fabric folds. It also provides practice in creating subtle value shifts to suggest form.
technical profile
approach — 8 steps
Create a light sketch outlining the figure's pose and proportions.
Block in the background with a thin wash of color.
Establish the basic skin tones, focusing on the light and shadow areas of the face.
Begin layering the fabric of the dress, paying attention to the direction of the folds.
Refine the facial features, adding details to the eyes, nose, and mouth.
Add highlights to the dress and hair to create a sense of depth.
Paint the details of the ruffles and collar.
Add final touches and adjust values as needed.
color palette
primary · titanium white · raw umber · burnt sienna · cadmium red light
secondary · ivory black · ultramarine blue · yellow ochre
Skin tones can be achieved by mixing white, red, and yellow ochre, with small amounts of umber for shadows. The dress is primarily white with subtle variations achieved by adding small amounts of blue, umber, or yellow.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for this painting.
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