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home·artworks·Mrs James Tassie, probably Ann Harker
Mrs James Tassie, probably Ann Harker by David Allan

plate no. 7699

Mrs James Tassie, probably Ann Harker

David Allan, 1779

oilRomanticismportraitportraitfiguredresshairpearlslandscape
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations. It also provides practice in rendering fabric and hair textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the head, shoulders, and dress.

  2. step 02

    Block in the background with a thin layer of muted gray-blue.

  3. step 03

    Establish the main areas of light and shadow on the face and dress using a limited palette.

  4. step 04

    Begin layering colors to build up the skin tones, blending carefully to create smooth transitions.

  5. step 05

    Add details to the hair, focusing on the highlights and shadows to define the curls and volume.

  6. step 06

    Paint the dress, paying attention to the folds and drapery. Use thin glazes to create depth and luminosity.

  7. step 07

    Add the details of the pearls and other accessories.

  8. step 08

    Refine the overall composition and add any final touches.

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · ivory black

Mix skin tones using white, yellow ochre, burnt umber, and a touch of red. Create the dress color by mixing red, yellow ochre, and a small amount of burnt umber. Muted grays for the background are achieved by mixing ultramarine blue, burnt umber, and white.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Incorrect proportions of the face and body.
  • →Overly harsh or muddy skin tones.
  • →Lack of depth in the dress and fabric.
  • →Ignoring the subtle variations in color and value.
  • →Overworking the details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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