apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mrs. James Ladson (Judith Smith)
Mrs. James Ladson (Judith Smith) by Samuel Morse

plate no. 0829

Mrs. James Ladson (Judith Smith)

Samuel Morse, 1820

oil, canvasRomanticismportraitportraitfigureclothinglacefanhistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabrics with subtle variations in tone. It will also provide practice in creating a soft, atmospheric background.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Establish the background with broad, blended strokes of muted browns, grays, and blues, creating a soft, atmospheric effect.

  3. step 03

    Block in the main areas of color for the figure's clothing, hair, and skin, focusing on the overall value structure.

  4. step 04

    Refine the facial features, paying close attention to the subtle variations in tone and color that create the likeness.

  5. step 05

    Add details to the lace collar and cap, using small brushes and delicate strokes to capture the intricate patterns.

  6. step 06

    Render the fan with careful attention to its shape, texture, and the way it interacts with the light.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and harmony.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · alizarin crimson · ultramarine blue

Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Use small amounts of alizarin crimson and ultramarine blue to create subtle variations in skin tones and shadows.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details before establishing the overall value structure.
  • →Using too much color and creating a garish effect.
  • →Failing to capture the likeness of the subject.
  • →Not blending the background smoothly enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (small round, medium flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a smooth canvas for best results. Consider using a medium to improve the flow of the paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke