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home·artworks·Mrs. James Gibson (Elizabeth Bordley)
Mrs. James Gibson (Elizabeth Bordley) by Thomas Sully

plate no. 5272

Mrs. James Gibson (Elizabeth Bordley)

Thomas Sully, 1822

oilRomanticismportraitportraitfiguredressfoliageskylandscape
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds. It also provides practice in creating soft, atmospheric backgrounds and subtle color transitions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background sky and foliage with broad, blended strokes.

  3. step 03

    Block in the main shapes of the figure, including the dress and shawl, using light and shadow to define form.

  4. step 04

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Add details to the dress and shawl, such as folds, textures, and patterns.

  6. step 06

    Develop the background elements further, adding depth and detail to the foliage and sky.

  7. step 07

    Glaze thin layers of color to enhance the overall harmony and luminosity of the painting.

  8. step 08

    Add final highlights and shadows to create a sense of realism and depth.

color palette

primary · titanium white · ivory black · raw umber · cadmium red light

secondary · yellow ochre · ultramarine blue · alizarin crimson

Achieve the flesh tones by mixing white, red, and a touch of yellow ochre and raw umber. Create the dress color by mixing white with small amounts of blue and umber. Mix greens for the foliage using blue, yellow, and umber.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·rendering fabric
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the overall harmony.
  • →Using colors that are too saturated or intense.
  • →Failing to capture the likeness of the subject.
  • →Not blending the colors smoothly enough.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium (e.g., Liquin)
  • ·varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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