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home·artworks·Mrs. Gyllembourg Reads from her "Everyday Stories" to J.L. Heiberg and Madam
Mrs. Gyllembourg Reads from her "Everyday Stories" to J.L. Heiberg and Madam by Wilhelm Marstrand

plate no. 3241

Mrs. Gyllembourg Reads from her "Everyday Stories" to J.L. Heiberg and Madam

Wilhelm Marstrand, 1870

oilRomanticismgenre paintingfiguresinteriordogtableportraitsreading
experienced study

Recreating this painting will help students develop skills in portraiture, rendering realistic skin tones, and capturing the nuances of light and shadow in an interior setting. It also provides practice in depicting different textures, such as fabric and wood.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the table.

  2. step 02

    Block in the main areas of color, starting with the background and the large shapes of the figures.

  3. step 03

    Develop the skin tones, using a limited palette and building up layers of color.

  4. step 04

    Add details to the clothing, paying attention to the folds and shadows.

  5. step 05

    Paint the dog, focusing on its anatomy and fur texture.

  6. step 06

    Render the details of the table, lamp, and portraits on the wall.

  7. step 07

    Refine the overall composition, adjusting values and adding highlights.

  8. step 08

    Add final details and glazes to unify the painting.

color palette

primary · viridian green · ivory black · burnt umber · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve the green wall color by mixing viridian green with ivory black and small amounts of yellow ochre. Skin tones are created by blending titanium white, burnt umber, cadmium red light, and a touch of ultramarine blue.

techniques

  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to capture the subtle variations in light and shadow.
  • →Ignoring the details of the background and making it look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (viridian green, ivory black, burnt umber, titanium white, yellow ochre, cadmium red light, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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