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home·artworks·Mrs. George Nee Elizabeth Blakeway
Mrs. George Nee Elizabeth Blakeway by Frederick William Burton

plate no. 3271

Mrs. George Nee Elizabeth Blakeway

Frederick William Burton

oilRomanticismportraitportraitfiguredressshawljewelryflowers
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as rendering complex fabric patterns and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure.

  2. step 02

    Block in the main shapes and colors of the background, figure, and clothing using thin washes.

  3. step 03

    Develop the skin tones using layers of subtle color variations and soft blending.

  4. step 04

    Begin adding details to the face, including the eyes, nose, and mouth, paying close attention to light and shadow.

  5. step 05

    Work on the clothing, focusing on the folds and drapery, and gradually build up the patterns and textures.

  6. step 06

    Add the jewelry and other accessories, paying attention to their reflective qualities.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · titanium white · ivory black · cadmium red · yellow ochre

secondary · ultramarine blue · burnt umber · alizarin crimson · gold

Achieve skin tones by mixing titanium white, yellow ochre, cadmium red, and a touch of ultramarine blue. Create the fabric colors by mixing the primary colors with white to achieve the desired tints.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overly harsh or muddy skin tones.
  • →Losing the overall composition while focusing on details.
  • →Inaccurate rendering of the fabric patterns.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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